More refined versions of these models allow the use of an initial image to guide the AI, which allowed us to manipulate the style and coherency of the output. We used various open-source AI modeling programs such as VQGAN-CLIP, which is a neural network that creates images based on prompts. Outside of ourselves and Conor no one else was involved with the project.Ĭan you tell us which tools you used to produce the animation? As soon as we heard Conor’s interpretation of the poem paired with the visuals we both felt we had captured something really special. Ultimately, we completed the film together and it wasn’t until we began editing that we cast the fantastic Conor Charlton as the voice of our narrator. We committed countless afternoons and weekends to drawing, shooting and animating, but were admittedly unsure if the finished film would be coherent enough to hold up as a narrative piece. He was initially very skeptical because the earliest test footage we produced was a complete unmitigated disaster. Sam studied film production at university and even wrote his dissertation about artificial intelligence, so he seemed like an obvious person to bring onto the project. I bought the poem and some early sketches to Sam and pitched the idea of using AI to bring the story to life. The entire film was created by myself and my co-director Samuel Poyser. However, the poem and the idea to potentially adapt it had been floating around for considerably longer. It has taken around a year of continuous experimenting, refining and development to complete the film. When did you start working on it and how long did it take to make? Stylistically we looked towards rotoscoped animation but also classical works of art that we thought captured the mood of Pearl Dog. It wasn’t until some time later we began to discuss adapting the poem into a short film, and it was some time after that we began to experiment using artificial intelligence to help realize the film. There is even a line in Pearl Dog which nods to The Raven and The Rime of the Ancient Mariner. It draws a lot of inspiration from the works of Edgar Allan Poe and Samuel Taylor Coleridge. We have both always enjoyed classic literature and so it quite naturally evolved into this gothic piece of poetry. Animation Magazine: Can you tell us your inspiration for the short?īethan Coolin: The idea really just started with the name scribbled in the back of a notebook.
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